ozarque ([info]ozarque) wrote,
@ 2008-04-27 08:35:00
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Book review; Clifford D. Simak's "City"...
Once upon a time, science fiction publishers used to send copies of almost everything they published to the entire membership of the Science Fiction Writers of America (SFWA); because of that, I have a very large collection of ancient sf paperbacks, many of which I still haven't read. The other night I was looking for something to read, and I lucked into Clifford D. Simak's City, in a 1981 edition from Ace that includes the extra "Epilog" story Simak wrote years after the book first appeared. My copy is yellowed, and shows the effects of sitting for decades on a bookshelf unread, but I am so very glad that it's what I chose. What a wonderful book. What a wonderful -- and horrifying -- book.

City is put together as if it were a semi-scholarly work intended for a general audience [a general audience of literate dogs, as it happens]. It has eight stories that are foundation folktales of the "doggish" culture, each with a brief introductory "Notes" section that comments on the story and gives it a historical and cultural context. And it has a ninth story titled "Epilog" with a notes section written by Simak, who tells us that he never intended to write it. When he was asked to do it as part of a memorial volume for John W. Campbell, he says (on page 253): "I found myself shying away from the task. The saga, I told myself, was complete as it stood; I also was skeptical about how competent a job I could do on a ninth City story, more than twenty years after I had written the others. After all, I knew I was a different writer than the younger man who had fashioned the tales." But in the end, he agreed, and I think we can all be grateful for that, because "Epilog" is a perfect ending for the book.

There won't be any spoilers in this review; I'm not going to talk about the plot. I am going to celebrate the fact that each of the nine tales has an actual beginning, middle, and end, and the fact that each one tells a coherent self-contained narrative. That's old-fashioned, I know; the current fashion in sf is to make the reader struggle to figure out what's happening. But I found it a tremendous relief.

The book revolves around a single conundrum, and it's one that could not possibly be more timely. Suppose you discover that a culture slightly less advanced than your own is facing a serious problem; suppose you have the knowledge and the power necessary to intervene. What, if anything, should you do?

People are dying for lack of drinkable water; you show them a simple way to make wells that will provide that water; the water turns out to be tainted with arsenic. People are dying for lack of food because farmers have no way to irrigate their crops and the rains are not dependable; you show them a simple way to put down tube wells and bring that water up for irrigation; the result, before long, is a depletion of the water table so severe that the water coming in is too salty to use for growing crops.

We humans understand now that no matter how hard you try, no matter how advanced your technology, you never can know for sure what the consequences of an intervention are going to be. And that leaves us with the conundrum: Do you do nothing and just let the suffering go on? Do you intervene, knowing very well that your intervention may only make things worse? What do you do?

Simak takes up this dilemma and explores it for us. He shows us a whole set of examples; the examples tell a story that breaks the reader's heart, but that is of tremendous value for a culture facing exactly the same dilemma.

======
There's a Wikipedia page for City -- that does have spoilers; because its URL ends with those parentheses that confuse LiveJournal's link-making software I'm not going to try to provide it here, but you'll have no trouble finding it; just go to Google and type title and author in the search box and the link will appear. There's a good review (with spoilers) by Tal Cohen at
http://tal.forum2.org/city , and another (with spoilers) by Robert M. Tilendis at http://www.greenmanreview.com/book/book_simak_city.html .


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[info]janetmk
2008-04-27 01:59 pm UTC (link)
Thanks for reminding me of this book. I read it back in the mid 1950s and remember that I loved it (though I now recall almost nothing about it).

I'm not usually a re-reader but it's one of the few SF books I've kept all these years. I've pulled the Ace paperback (35 cents!) out of the box and put it on my to-read pile.

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[info]sfw_dc
2008-04-27 02:08 pm UTC (link)
I love that book.

My father liked that book so much that when he founded his own company, he called it "Jovian Specialties."

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[info]archangelbeth
2008-04-27 02:09 pm UTC (link)
Interesting. I will keep an eye out for it.

the current fashion in sf is to make the reader struggle to figure out what's happening.

I wonder how much of that is a combination of expecting that the reader will want "new," and thus probably more complicated stories (working on defining the tale as "not just another cliched telling of Universal Plot #1"), and the current crackdown (at least, I've heard there's one) on word-counts to keep hardcovers from going so expensive that no one buys them... Basically, something's got to give. Either the plot simplifies or the description suffers.

Or I could be talkin' through my sleep-deprived virtual hat.

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[info]idiotgrrl
2008-04-27 02:49 pm UTC (link)
Back when hardback books were kept at around 200 pages, they had a clear plot, a beginning, a middle, and and end, and many of them were nothing like the same old stuff. Most of them are excellent re-reads. Fast reads, but excellent.

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[info]archangelbeth
2008-04-28 02:40 pm UTC (link)
Yes, but now all those clear plots have been done, so to set one's own book apart from the plots of the past... More complexity! More nuance! More loving description of one's cool universe background! (Also, some "low characterization, low background, high plot" stuff that was all the rage... just won't fly anymore.) Then you run, SPLAT!, into the word-count limits, and whole swaths of explanation are "boring infodump; people'll figure out what's going on anyway, so axe it."

Not universal, but I wouldn't be surprised if that were behind some confusing things.

Then again, it just might be too much exposure to Neon Genesis Evangelion and Revolutionary Girl Utena.

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[info]ahistoricality
2008-04-27 08:38 pm UTC (link)
the current fashion in sf is to make the reader struggle to figure out what's happening.

This has been driving me nuts for a decade or so: it's very pronounced in short fiction, at least the pieces published in F&SF. I understand the desire to be clever, but if a story isn't very wel done to begin with, a "clever" non-ending isn't going to help, and if it is well done, then the ambiguity of the ending really isn't ambiguous at all....

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[info]not_your_real
2008-04-27 10:48 pm UTC (link)
the current fashion in sf is to make the reader struggle to figure out what's happening.

That is one of my favorite things about reading SF. (I also madly love the movies Memento and Primer...)

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Thoughts
[info]ysabetwordsmith
2008-04-27 02:34 pm UTC (link)
Supposing that one is asked, because it isn't right to butt in with unwelcome "assistance;" supposing that one has made a careful study of the problem(s) with all available input, because acting without understanding is foolish; and supposing that one shows people how to do things themselves, because just doing things for them encourages dependence; then it is more honorable to try and fail than to do nothing for fear of possible failure.

YMMV.

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[info]idiotgrrl
2008-04-27 02:48 pm UTC (link)
OH, my. I remember "City" but not the specific examples of the bad results of intervention. However, they are so relevant to what we're facing here in the Southwest I am moved to try and find a copy and reread it!

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[info]starcat_jewel
2008-04-27 05:10 pm UTC (link)
I'll have to look for your edition of that book.

the current fashion in sf is to make the reader struggle to figure out what's happening

I disagree very strongly with this. I'm reading a lot of current SF that has very clear plots with beginnings, middles, and ends. Allen Steele, David Weber, and Robert F. Sawyer are all very good for this, just to give a few recommendations off the top of my head. I could come up with a much longer list, but some of it would be fantasy and/or space opera as well as hard SF.

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[info]archangelbeth
2008-04-28 02:41 pm UTC (link)
And Bujold -- she's been writing fantasy for a while, but I believe she's promised to go back and do another Vorkosigan story, so that'll put her in the "current SF" crop.

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[info]dteleki
2008-04-27 05:45 pm UTC (link)
Here's a link to the Wikipedia article, that LiveJournal can handle:

http://en.wikipedia.org/wiki/City_%28Clifford_D._Simak_novel%29

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[info]farrandy
2008-04-27 09:14 pm UTC (link)
CITY is an old favorite of mine, though I don't have the edition with the ninth story. I'll have to look for it.

"These are the stories the Dogs tell when the fires burn high and the wind is from the north." One of my favorite opening lines--but then, I'm a dog person (see icon).

As to books having beginning, middles and ends, I would recommend Lois McMaster Bujold's Vorkosigan books. There is an overarching story arc, but each novel is a self contained story.

I certainly hope that publishers are starting to "crack down" on word count on novels. I'm getting a bit tired of buying PAPERBACKS (never mind hardbacks) that I'm afraid I might drop on my foot and break a toe, only to find that a lot of pages are devoted to describing in excruciating detail what each character is wearing and what they eat at every meal.

As for the question of whether to interfere when the long term effects are not known, that's a tough one, but if the short term effects of NOT interfering are starvation or dying of thirst, I'd say interfere.

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Response to farrandy....
[info]ozarque
2008-04-30 12:54 pm UTC (link)
I'm with you on that opening line .... lovely. It's a poem.

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[info]ericavdg
2008-04-27 09:29 pm UTC (link)
My dear friend Michael J. Walsh of Old Earth Books recently reprinted "City" in a beautiful hardcover. It's currently out of print, but he plans to have another print run done soon. Visit www.oldearthbooks.com to check the status.

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Response to ericavdq...
[info]ozarque
2008-04-30 12:56 pm UTC (link)
Old Earth Books plans another print run for City ... that's wonderful news.

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[info]not_your_real
2008-04-27 10:57 pm UTC (link)
Oh my gosh. Just reading the Wikipedia spoiler for "Epilog" brought tears to my eyes! Wow.

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[info]idiotgrrl
2008-04-27 11:24 pm UTC (link)
Read the Wikipedia. Ah -- THAT's the "City" I remember!

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(Anonymous)
2008-04-28 12:42 am UTC (link)
I've always liked Simak.

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[info]ethesis
2008-05-04 07:15 pm UTC (link)
Yes, his writing is probably some of the best of its kind, every element tightly in place, tightly folded into the plot.

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[info]filkferengi
2008-05-01 01:18 pm UTC (link)
Simak rocks! Maybe because he was a newspaperman for so many years, but his short stories are concise, creative, mind-blowing, and the prose just *sings*.

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If a stranger can butt in...
[info]dryride
2008-06-18 07:48 pm UTC (link)
"Epilog" is one of the most heartbreaking things I've ever read. I used to have an old book club re-print. I sold that a while back and a few years picked up one of the later editions with the final tale. I can't imagine reading that without it now.

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Re: If a stranger can butt in... response to dryride...
[info]ozarque
2008-06-18 09:00 pm UTC (link)
Strangers are always welcome here; thank you for your comment. And I agree with you about "Epilog."

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